Mar 31, 2008. We are pleased to announce that Patch 5020 has been released on Mar. Note: Before you install patch, please make sure that you have completely exited the client, or you will fail to update the client successfully. Patch 5020: Link 1 Link 2 Link 3 Link 4. Note: Please download and install the.

We are pleased to announce that Patch 5020 has been released on Mar. Note: Before you install patch, please make sure that you have completely exited the client, or you will fail to update the client successfully.

Patch 5020: Note: Please download and install the Conquer patches as below: (1) Save the patches in conquer folder (2) Open the conquer folder, double click on the patch icon to install, then you will bypass the autopatch and reach the login windows directly. Highlights of Patch 5020 Map source update.

I have now dived deeper into symbols and encountered some buggy behavior. 1) text frames (artistic text) seem to randomly partially detach from symbols (dashed orange line on the side), claiming that unlinked attribute is the 'Text Frame' 2) some symbols seem to react no adding new artboard inconsistently - when creating a new artboard manually to the left of an artboard with existing symbol, the parts of the symbol (like pixel layer with a phone image) 'travel' outside the original arboard, while parts remain (like an ellipse with gaussian blur effect used for phone's shadow). 3) dragging some non-symbol layers into existing symbols seem unpredictively unstable - sometimes the layer will appear in all symbols, sometimes it doesn't (symbol sync is on, no symbols are detached). 4) now I'm having a document that has 2 symbols created and on certain groups, no new symbol is created when selecting the group and using 'Create' button on Symbols pane 5) when moving a layer / group outside a symbol container, it remains with the orange stripe, apparently not belonging to the symbol any more. Even if the original symbol container is deleted, these layers seem like being a part of a symbol. This also leads me to a question, whether there are some constraints on how layers / groups can be moved out / in existing symbols containers. Does anyone have similar problems.?

Some of them are hard to reproduce and usually don't appear in simple 'flat' document without artboards or a document containing just one artboard, but in my case, when working with more artboards of different sizes, nested content in rectangels, embedded (SVG) documents, it's quite a chore to get at least some symbols working. I may be able to provide a sample 'buggy' document for the developers (not publicly), if applicable. And another investigation: I just realized that embedded documents seem to remain of just one instance when put into the document. Every other copy / duplicate of this embedded document shares edits from other instances.

So my previous comment has probably nothing to do with symbols. However, this leads me to a question: is it possible to embed pixel document as 'embedded document' draging or placing always creates an 'image' layer.

Embedded document with previous features (just one instance per AD document) would help where one image is duplicated among many layers / artboards. Hopefully, an embedded document would not increase file size so much. Any tips?:) • • •. Hi all, there are two rather unpleasant issues with AD's document tabs behaviour: 1) when an embedded document (i.e.

A SVG) gets open in a separate tab and then adjusted and closed, focus is given to the nearest tab, instead of being returned the original document, from which the embedded document was previously opened. That is quite unintuitive and leads to more searching and clicking on the document tabs. 2) if there is a lot of layers / groups / elements in the Layers pane and the document loses focus (i.e. User switches to different document tab) then after getting back to the original document, Layers pane shows the top layers, i.e. Is scrolled to the top, instead of keeping its previous content's position. That's a little bit annoying because it often requires to scroll way back down to the layers / groups user was working with. In huge documents (one of mine contains 280 groups for instance) it's quite a chore.

Thanks for considering a fix;) • •. Hi, I'm not sure whether this is Affinity / Wacom driver / may MacBook Pro issue, but it's mighty annoying, so I'm putting it here. Maybe somebody suffers the same issue and have some advice:) The behavior is like this: - using Wacom Pen & Touch tablet, Apple wireless keyboard, Apple wireless trackpad, Apple Thunderbolt Display - hovering with pen over the tablet surface to move cursor - pressing modifier key (like Alt for changing selection tool behavior, Shift for resizing constraints, Command for multiselect.) - doing some actions - pen touches the tablet. - releasing pen from tablet surface and releasing modifier key -- pen still hovering above the surface (tablet doesn't lose connection with pen) - now when pen contacts tablet surface again, it behaves like the modifier key is still pressed! To correct this, the pen needs to be lifted quite high (to lose connection with tablet) and the modifier key has to be pressed and released again. Unfortunately, this happens unpredictedly, in about 80% of the cases. But it never happens when I use trackpad or mouse, instead of Wacom tablet.

It feels like this is a matter of complex documents with an artboard, groups, more layers. As far as I remember, I haven't experienced this in simple documents with just one pixel layer, for instance. It occurs in both Photo and Designer (newest (beta) versions). I have updated Wacom drivers with no effect.

But still staying with El Capitan. Would upgrading to Sierra help? Thanks for any tips and insights! Hi brunzenstein, welcome to the Affinity forums! The metro map is quite simple to design. Just draw curves (use the Pen tool) for the tube lines (snapping to grid may help to keep the curves straight). Idt Audio Control Panel Free Download Windows 7. Then set the stroke width so that the line is thick enough.

The rest is basic shapes (ellipses, rounded rectangles, artistic texts). See the attached example. If you have experience from Illustrator or any other vector drawing tool, you should be good to go. If you still feel like stuck, I'd recommend to watch some of the great Affinity Designer tutorials here: Good luck!;) metro.afdesign • • •. Hi Matt, thanks for reply.

Unfortunately, no, the steps you suggest did not work for me. Despite what option is chosen before selecting CMYK/8, it seems it always gets assigned, instead of being converted to. I attach an RGB/8 document. Would you try my procedure.? After the 'conversion' to CMYK/8, all the colors will change significantly. I also attach the two screenshots as I see it on my side - original RGB/8 and then 'coverted' document to CMYK/8 with distorted colors. Download Free Rapidshare Anno 1701 Deutschland.

=== Additional note: I just found out that if I rasterize the images before converting (thus flattening the adjustment layers), the resulting colors are much better, in fact unchanged. Somehow, it seems more like a bug with adjustment layers conversion. RGB2CMYK.afdesign • • •. Hi all, Maybe a lame question, but I'm lost. I have this image (attached). I would like to get rid of the yellow spots. And later obtain only black letters on transparent background.

How to do it in most elegant way? I was trying the 'Erase White Paper' filter, which works great to get the transparent background, but it leaves the yellow spots untouched.

I was also trying flood fill on the yellow spots, but it leaves some pixels still there. I was used to use 'Replace color' in Photoshop, but I can't find a corresponding tool in Affinity Photo. Thanks for any tips.

1) Search function for layers and slices. Just a small input box that will filter the layers / groups / elements / slices according to what contains entered text. 2) Duplicating a slice and reordering existing slices is a must-have. Please, consider this for future betas;) (I tend to disagree a bit with FatCatStud!o on the last point though. I think Affinity has a squad of programmers with pure genius if it comes to algorithms and innovations. I guess it is the touch & heart & feedback of an experienced day-to-day designer that's sometimes missing.

But, hey, that's what these forums are for, aren't they?;)). • • • • • • (and 1 more).