If you cannot see this email properly, please click Kurzweil Launches Free PC3K Sound Download Library Kurzweil is proud to announce the release of the new Sound Download Library exclusively for the PC3K line of Synthesizer Workstations., the first two collections of samples and programs available in the library are from Kurzweil’s acclaimed Synthscapes and Take 6 Vocals. Originally developed for the legendary K Series keyboards, these incredible sound collections have been brought forward to the PC3K series continuing Kurzweil’s commitment to non-obsolescence by design. Many more samples and program collections will be provided in the near future further adding value to owners of PC3K keyboards. These extensive sound collections were developed with painstaking attention to detail and recorded in some of the world's best studios.

May 12, 2011. Kurzweil has released two new sound libraries for the PC3K line, SynthScapes and Take 6 Vocals, as free downloads: These extensive sound collections were developed with painstaking attention to detail and recorded in some of the world's best studios. They helped to build the legacy of the famous K2.

They helped to build the legacy of the famous K Series keyboards and now they're available to enhance the latest generation of Kurzweil instruments. Synthscapes provides a palette of rich, complex digital waveforms, many of which are layered together and combined with analog filters. Bearing the name of the acclaimed vocal group, the Take 6 library features numerous vocal articulations, with a variety of single and ensemble voices. In the upcoming months, Kurzweil will be releasing additional sample collections to the Sound Download Library online, including the Bass Gallery, Classic Analog Synths and Up From the Curb (percussion loops featuring Bashiri Johnson).

Be sure to check the Kurzweil, and for more news. Walt Bransford wins the PC361 Giveaway! Congratulations, Walt Bransford of North Little Rock, Arkansas is the winner of the Kurzweil & Keyboard Magazine PC361 Giveaway. Walt is now the proud owner of a new PC361, the most powerful and programmable synthesizer engine on earth. Artist spotlight - Eliot Lewis As the featured keyboardist on the acclaimed “Live From Daryl’s House” music show, Eliot Lewis can be seen performing with an amazing array of artists each month. Eliot is a talented multi-instrumentalist, songwriter and producer who has worked with Daryl Hall & John Oates, the Average White Band, and a host of others. In a short video, he explains how the PC3LE6 gives him all the high quality sounds that he needs.

Check out the power of the PC3LE Series Chris Martirano from American Music & Sound puts the Kurzweil PC3LE series through its paces at Kraft Music on this video, demonstrating Kurzweil’s renowned triple strike grand piano and string sounds, as well as the synthesis side of the instrument and its comprehensive performance features.. On stage with Jon Carin from Pink Floyd's The Wall Tour! 4 Kurzweil keyboards graced the stage when Pink Floyd’s Roger Waters brought The Wall Tour to the Boston Garden. In this quick video, see what it is like to look at out at the arena from the keyboard riser of Pink Floyd's The Wall stage..

Kurzweil's latest workstation introduces enhancements — but doesn't mess with that Kurzweil sound. There's something rather odd about Kurzweils. For one thing, they're far from ground-breaking. The VAST (Variable Architecture Synthesis Technology) engine that generates their initial sounds was unveiled in 1990 and, despite advances in each of the subsequent generations, it's clearly the same underlying system. Secondly, they're far from ground-breaking. For example, despite being described by Kurzweil as of 'ample size” and enabling you to 'view lots of information at one time”, the monochrome, non-touch-sensitive screen on the latest model offers a resolution of just 240 x 64 pixels, which was anachronistic before the end of the last millennium.

And, let's face it, the 64MB ROMs, 64MB expansions and 128MB sample memories in the latest models hardly compete with the gigabytes offered elsewhere. So why do people like Kurzweils so much? The answer is, as always, their sound. Over the years, they have garnered a reputation for sounding bigger, warmer, and altogether more cuddly than other synths.

There are times when a Kurzweil simply sounds nicer than the alternatives. The company's latest workstation, the PC3K8, is not much different from the PC3X that I reviewed in Performing Musician magazine in October 2008 (which can be read at ).They share the same keybeds, the same screens, the same 128‐voice polyphony and 16-part multitimbrality, the same effects structures, the same sequencer, the same real-time controllers and the same (somewhat limited) audio I/O. Both include Kurzweil's highly regarded Contemporary and Orchestral sound blocks, and both offer the popular Stereo Triple Strike Piano, Classic Keys, and String Sections.

They can even host the same Kore64 ROM expansion board, and you can program both using the same SoundTower editor. In fact, there are just three differences. The first is the inclusion of 128MB of sample memory in the PC3K series. This is better news than it seems, because the memory is flash RAM, meaning that samples are retained when you switch the instrument off and are immediately available when you switch it on again. The second is the change from using XD cards to using USB sticks for external memory.

The third is a more efficient method of saving User Objects (things such as keymaps, programs, setups, arpeggiator patterns, samples and effects chains), so the maximum number has increased from 2560 to 16,000. Let's be clear: the K8 is not a sampler. But saying that it offers sample playback doesn't tell the whole story. The key here is the letter 'K' in the name, which is intended to convey that the K8 and its siblings are (largely) compatible with the sample libraries and programs for the K2xxx series. To test this, I dug out a USB floppy drive that I bought many moons ago and loaded dozens of disks, including my K2000 Analog Collection, onto my Mac. I then copied the files to a USB memory stick and loaded them into the K8. My first attempt was not entirely successful; some sounds reported 'Object Not Found' and remained stubbornly silent.

(This may have been because the programs I selected were based on the obsolete K2xxxx 'triple mode', or because they required me to download and install a ROM compatibility file.) Happily, other disks loaded all of their samples and programs successfully and, as on the K-series workstations for which I obtained them, many of them sounded gorgeous. Download Subtitrare Ken Park 2002. However, they didn't sound quite the same. Инструкция По Заполнению Формы Пм. The KSP8–derived effects generators in the K8 are incompatible with the more basic effects in the earlier models, so the K8 substitutes appropriate alternatives. The K8 is also able to load 8- and 16-bit AIFF and WAV files with sample rates of up to 96kHz. To test this, I sang a few seconds of 'aaahhh” into my Mac's internal mic, then connected the computer to the K8 and transferred the AIFF sample.

I mapped and trimmed it in the Kurzweil's sample editor, inserted the result into a Keymap, turned this into a Layer, added a filter, duplicated the Layer a few times and detuned each, added a bucketful of reverb, and played. In defiance of the low quality of the initial recording, it sounded wonderful. Except for the singing, obviously. No synthesizer is perfect, and the K8 is no exception.

Despite the undeniable quality of its PCM-based sounds, I can't call myself a fan of the KB3 organ, and for me there are much better systems out there. On a more positive note, I generally like patches based upon the KVA (physically modelled) oscillators, although I'm not sure that Kurzweil should be calling them 'virtual analogue' because the rest of the architecture is the same as used for the sample-based sounds. Elsewhere, there are limitations in the storage mechanism. If you're using the USB port for backing up or archiving (as well as for loading samples and files), be aware that the K8 can't deliver a current of greater than 100mA, which may preclude the use of some elderly or large devices. Unfortunately, there's also a 1.6GB limit to the size of files transferred directly from computers, so there's a possible Catch 22 here. But perhaps its biggest limitation (commercially, not technically) is that it's so different from other manufacturers' instruments. Knowing how to program (for example) a Fantom or a Kronos is no guarantee that VAST — with its quasi-modular architecture and cascaded 32-layer programs — will make sense.

I have seen it claimed that, at its inception, VAST's developers just kept adding facilities that they deemed might be interesting. Since then, the company has added the KB3 organ emulation and its VA1-derived technology, as well as the hugely complex insert/auxiliary/master effects structure. The result is enormously flexible, but the absence of a graphic display can render editing more than a little daunting, especially for inexperienced users.

The free PC/Mac editor helps, although you still need to understand the underlying system to get the best from it. But let's keep all of this in context: The PC3K8 is a superb performance instrument and, with all manner of workstation facilities — multiple arpeggiators, a powerful sequencer, riffs, and more — it's a sound-designer's dream.

Furthermore, the review unit proved to be bug-free throughout the test period, which is always a pleasure to report. Despite being based on samples that are getting rather long in the tooth, the latest version of VAST is synthesis on steroids, and I doubt that anyone has ever claimed to have plumbed its depths to the point where there is nothing left to extract from it. While the PC3K8 doesn't cover the same breadth of ground as the best of the rest, it's nonetheless a very attractive proposition for both the studio and the stage.

The lack of sampling (as opposed to sample playback) means that it's not a direct replacement for a K-series workstation, but I suspect that there could be times when the PC3K8 will simply be the nicest tool for the job. Kurzweil PC3K8 £2599 $3495 pros • VAST synthesizers remain a pleasure to play, and they still sound superb. • The reintroduction of user sample playback is a huge benefit. • You can now import WAVs and AIFFs and build sounds upon these. • Changing to USB storage is a major improvement. Cons • It's time that Kurzweil adopted modern screens and GUIs. • It would have been nice to see the KB3 organ emulation improved.

• The complexity of VAST remains daunting for many potential users. • There's no sampling option.

Summary As an owner of a fully expanded K25000S, I found the original PC3X to be impressive and frustrating in almost equal measure. By changing to a modern storage medium and (most importantly) by adding sample playback, Kurzweil have swept away many of my reservations, and I now like the PC3K8 a lot. Unfortunately, there's still no provision for sampling. Sample playback, yes.

Sampling, no. This means that it still isn't a like-for-like replacement for a fully-specified K2500 or K2600.

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